Secondary Causalities
The magical myth, from time immemorial, has attached special importance to the so-called planetary principles as active agents influencing the character of phenomena in our world.
The septenary nature of manifestations is one of the key aspects in describing the manifested world, and each of the elements of this formative septenary has numerous manifestations on all levels of that world.
Alongside the Creative triad, the notion of “secondary causalities” was introduced — forces expressing the influence of the spirit’s ternary on the quaternary of manifestation. One of the symbols of this field of “secondary” forces is the planetary septenary.

Even the ancient Sumerians distinguished the Planet as a principle, the planet as a “heavenly body” (in the astronomical and astrological senses), the planet as a level of being (a “planetary sphere”), and a number of agents who channel planetary influence: these were later formalized as images of the Genius, the Spirit, the “Olympian” spirit, the liminal spirit, the Angelic choir, and the individual Angel of the planet. These nine aspects of existence for each of the secondary causalities are the typical manifestation of its influence on the manifested world.
The planetary principle (the god of the planet) constitutes the idea of secondary influence; the Body of the planet and its Sphere constitute the first binary pair; the Spirit (Archangel) and the Angelic Choir — the second; the Olympian Ruler (Archon) and the liminal spirit (or Demon) — the third; and the Genius and the Angel — the fourth binary pair of this Quaternary.
The planet as a principle expresses the character of the Flow of Power embodied in the force of the very septenary manifestation. In other words, the ancient magi noticed that the Great Flow of Power, ternary in itself, when it pours into our world, divides into seven rivers that carry its influence.
Seven planets, seven Creative deities — these are the forces forming active blocks of energy which we perceive as the objects and phenomena of our world.
God of the Sun gives intellect, the power of differentiation; the Goddess Moon gives emotions as the principle of unity; the God Jupiter gives the capacity for outward transformation; the God Saturn — the capacity for inner development; the God Mars — the power of overcoming; the Goddess Venus — the power of attraction; the God Mercury — the capacity to adapt.
The Body of the Planet provides a habitat to bodies that accord with it, while the Sphere of the planet constitutes the aggregate of spirits that harmonize with it. For example, the Sun as a body forms the planetary system; as a differentiating element it singles out distinct units from the world’s uniformity, and Shemesh as a Sphere is the aggregate of differentiating agents.
The Archangel of the Planet expresses the Principle in a “ministering” sense as an individualizing influence — for example, the Sun’s role in maintaining the world’s differentiation is expressed in the image of the Archangel Michael, while the Moon’s influence in maintaining universal connection is embodied in the Archangel Gabriel. The Angelic Choir expresses the same influence, not on the cosmos as a whole, but on each individual element: for instance, the Choir of Powers (Malachim) brings the force of self-determination to each object, while the Choir of Angels (Cherubim) brings the force of Unity-in-All into those objects.
Archons (the Olympian Spirits) “embody” the Planetary influence, translating it from a “virtual” state into material reality. For example, Okh rules over Gold as an expression of Solar Power and as corresponding manifestations, while Ful, correspondingly, — over Silver, the growth of roots, and so on.
Gatekeepers, the “Liminal” spirits — express the reactions that arise in an object in response to planetary influence; for example, Sorat expresses the object’s “reaction” — both positive and negative — to the action of the Sun’s force. In other words, when an object is affected by the differentiating force of the Sun, it forms its own “attitude” toward that action. That attitude — to accept or to resist — is the Liminal spirit.
The planetary Genius is the individualization of an object’s perceptive capacity, the action of planetary power that produces certain forms in response to planetary influence. For example, Nakiel is the expression of the Sun Principle’s capacity to produce certain forms — “solar” plants (for instance, the sunflower), animals (for instance, the deer), and also gold as a mineral, and so on.
Finally, the Angel of the planet is the ideal aspect of that resistance which the internal nature of an object exerts to the impulses of planetary power. For example, Ol expresses the force of resistance that arises in an object in response to solar influences.
This circle of correspondences was founded on observations over many centuries (and perhaps millennia), which established a link between the angular positions of the planets on the celestial sphere and the predominance of particular planetary influences of a given “planetary” sphere in earthly life. For the Magus, it is very important to take these influences into account — including planetary colours, metals, incense, and so on — not only during special Rituals but also in “ordinary” life, since this brings him into harmony with the flow of forces in the cosmos and therefore increases the effectiveness of his work.






Dear Enmerkar, can this method be used during a competitive ritual when the practitioner appropriately relates to the forces they ‘break into’?
‘Planetary Genius is the individualization of the object’s abilities to perceive the action of planetary force’ – perhaps this is the principle that is now commonly referred to as the ‘energy-information field of the planet’?
And in this case, are the Archons free spirits carrying a vertical flow in both directions, or are they a servile descending vortex?
Simply put, if this is a free spirit, it’s unclear why a boundary spirit is placed in the binder, which, as I understand it, is a downward direct flow.
The division into ‘free’ and ‘servile’ beings comes from observations of their manifestations: ‘free’ are creatures neutralizing dualities, while ‘servile’ are those supporting them (more details: https://en.enmerkar.com/myth/chemu-sluzhat-sluzhebnye-duxi). The Archons are protobeings of the Interspace, and their activity lies in neutralizing the binder of ‘virtuality’ – ‘reality’, ‘potential’ – ‘actual’, and therefore, by their nature, they are ‘free’. They can choose which of the ‘spheres’ to prefer, and it is in their interest to maintain the balance we observe around: the world is eternally rotating in a cycle of births and deaths, ensuring a vicious circle of energy. One could say that the Archons are the embodiment of ignorance as ‘poison of consciousness’; they are the force of inertia, resisting the full actualization of consciousness and its transition into the Pleroma. The gatekeepers, ‘kidemons’, are also a force of ‘resistance to the Interspace’, this is also inertia – resistance to evolution. Therefore, these two forces, although of different natures, compose a binder. For example, Okh is the striving of the physical Sun to ‘exist eternally’, its resistance to disappearance in Knowledge, while Sorat is the striving of beings to luxuriate eternally under that Sun (and at the same time resist its evolutionary influences).
Thank you very much for the detailed comment!
In other words, this binder is not of the range angel/demon or genius/gatekeeper.
Can it be said in this case that the Archons are private (destructive, reverse) manifestations of the shaping gods https://enmerkar.com/en/myth/forces-producing-and-forming
No, the Archons belong to the primal gods; they are the forces that existed in the primordial chaos and are now manifesting in potentiality/in the interval.