Futharks of Sigrdrífa

It is well known that, besides the straightforward Futhark order of the Runes, at least two other accounts of the runic arrangement exist. These are the so-called “Futharks of Sigrdrífa”, which assign to the Runes different categories and different applications.
Two views are widespread as to how these futharks, described in the eddic song “The Words of Sigrdrífa”, should be read.

The first view, which we have already discussed, distinguishes eight categories of Runes, holding that in each aett there is a rune of every category. Thus, for example, the “Runes of Victory” are counted as Fehu, Hagalaz, and Tiwaz, the “Runes of Ale” as Uruz, Nauthiz, and Berkana, and so on.
The second view regards the “Futharks of Sigrdrífa” as a simple poetic description of the Runes, in which there is no strict system or correspondence.
Clearly, both views are somewhat limited. On the one hand, it would of course be wrong to grant the Runic order Pythagorean exactness. That does not reflect the dynamic nature of the Runes; it stops their flow. Yet, on the other hand, the runic order is not arbitrary: the Runes unquestionably reflect both stages of the World-process and the cycles of the calendar.
And understanding the order is important — it’s no accident the valkyrie says: “Do not confuse them!”.

Therefore, while by no means claiming sole truth and universality, we will present another variant of reading the “Futharks of Sigrdrífa” that proceeds precisely from the mythic-poetic view of the nature of the Runic order.
How the runes are read in the name of each runic group (taking into account the possibility of mutual transformation of Runes) is used as the criterion for assigning runes to a group.
6
”Runes of Victory, (Sigrúnar) – Sowilo, Tiwaz, Kenaz
if you strive toward it, –
carve them
on the hilt of your sword
and mark them twice
with the name of Tyr!
7
Runes of Ale (Ölrúnar) – Ansuz, Nauthiz, Ehwaz
learn them, so that deceit
may not frighten you!
Trace them on the horn,
inscribe them on your hand,
the rune Nauthiz — on your nail.
9
Midwifery Runes (Bjargrúnar) – Perthro, Eihwaz, Jera, Raido, Ingwaz
learn them if you wish
to assist at births!
Apply them to the palm,
clasp your wrists,
calling to the dísir.
10
Surf Runes (Brimrúnar) – Berkana, Thurisaz, Uruz, Algiz
learn them to save
ships that are sailing!
Carve those runes
on the prow, on the rudder
and burn them into the oars, —
let the surf be fierce
and the waves black, —
you will make landfall safely.
11
Healing Runes (Limrúnar) – Laguz, Isa, Wunjo
To heal, learn them;
on the trunk whose branches
lean to the east,
carve them.
12
Learn the runes of speech, (Málrúnar) – Mannaz, Othala, Fehu
if you do not want
them to take vengeance on you!
They are composed and arranged,
they are woven
into that fabric,
where justice is administered.
13
Learn the runes of thought, (Hugrúnar) – Hagalaz, Dagaz, Gebo
if you wish
to become wiser!
Hropt discovered them
and inscribed them,
he formed them from a moisture
which once flowed from Heiddraupnir’s brain
and Hoddrofnir’s horn.
Such a reading of the stanzas not only provides a practical guide to applying the Runes, but also accords with the internal logic of the runic order and the worldview of the ancient Scandinavians, who favored analogies and allegories. It is worth adding that reading the runes in this order also helps better understand the categories.

What follows is another list. It too can be interpreted from an imagistic or poetic viewpoint, either on the basis of mythological associations or on the grounds of the shapes of the runes.
15… the runes adorned
the shield of the god of light, (that is, Freyr, the rune Ingwaz)
the hoof of Alsvinn (the Sun-horse, the rune Sowilo)
and Arvak’s ears (another Sun-horse, the rune Dagaz)
and the chariot
of the slayer of Hrungnir, (that is Thor, the rune Raido)
Sleipnir’s teeth (of course, the rune Ehwaz)
and the sled’s cut, (tracks of the sled, the rune Hagalaz)
16
the paw of a bear (naturally, Uruz)
and Bragi’s tongue, (speech and inspiration — the rune Ansuz)
wolf’s claws (the rune Laguz)
and the eagle’s beak, (for example, Suttung or Thiazzi — the rune Thurisaz)
bloody wings (that is, the bow — the rune Eihwaz)
and the edge of the bridge, (that is, the boundaries of worlds — the rune Mannaz)
the midwife’s palm (of course, Berkana)
and the helping track, (the bird’s track — the rune Algiz)
17
glass (ice, the rune Isa)
and gold (fire, the rune Fehu)
and talismans, (protective signs, the rune Othala)
wine (a product of the harvest, the rune Jera)
and wort, (the winter drink — beer, the rune Kenaz)
benches of revelry, (Valhalla, Wunjo)
the iron of Gungnir, (spears, probably Tiwaz)
the breast of Grani’s horse, (Sigurd’s companion-horse, the crossing of the harness — the rune Gebo)
the norn’s nail (of fate, the rune Perthro)
and the owl’s beak. (a night bird — the rune Nauthiz)
18
They scraped off
all the various runes,
mixed them with sacred honey,
and sent them far and wide, —
some went to the Aesir,
others to the elves,
to the wise Vanir,
to the sons of men.
19
These are the runes of writing,
midwifery runes,
runes of ale,
and runes of magic, —
do not confuse them,
do not abuse them,
use them to good effect;
make use of the knowledge
until the death of the gods!»

Note again that this reading of the futharks enriches both understanding of the Runes and their practical use.

Congratulations to the author and all blog readers on the birth of a new Sun!
Oh, the mysteries of Sigdrífa do not give people peace…
In my opinion, if you interpret this song, then tell me, why does everyone omit
gamanrúnar – the runes of joy?
Yes, there is no separate stanza for them, but it seems to me that a whole group of runes could have come out.
There are also bokrunar – writing runes…
It’s just that everyone found it convenient to divide the runes into 8 groups based on the eight descriptive stanzas.
By the way, I didn’t understand how you distributed the runes in the system you proposed – please explain, if it’s not difficult, in more detail.
In fact, I stand on the point of view that the song was most likely distorted, and restoring the original system is hardly possible. But attempts to do so are a very useful exercise in understanding the runes.
The first stanza of the “Words of Sigdrífa” is evidently introductory, giving a general picture of the application of the Runes:
“Bjór færi ek þér,
brynþings apaldr,
magni blandinn
ok megintíri,
fullr er hann ljóða
ok líknstafa,
góðra galdra
ok gamanrúna”
“To the maple of the things, I give the drink,
filled with power
and great glory;
in it are the songs of magic
and healing runes,
good incantations
and runes of joy.”
Therefore, in my opinion, it is quite justified not to separate the “runes of joy” mentioned in it, and similarly the “runes of magic” into separate groups.
As for the usually accepted division into 8 groups, it is not “just convenient for everyone”, but dictated, of course, by the octal structure of the Futhark.
I also do not believe in the arbitrariness of the Futhark and do not believe in the arbitrariness of the Words. The structure of the Futhark is quite logical and harmonious.
I fully agree with the traditional interpretation of the Futhark, according to which the Runes standing in analogous positions of each Atta have analogous (each at its level) semantic fields.
However, in my view, Sigdrífa does not talk about this. She does not speak about the meaning of the Runes, but speaks about their application.
Therefore, nothing prevents us from using the “Healing Runes” also as “Runes of Joy”.
However, the song obviously categorizes these groups differently. Each of the stanzas (by the way, there are 7 such stanzas, not 8) begins the same way: “..rúnar skaltu”, “know Runes…”. I do not think that the skaldic poetry of the Edda is so easily subject to distortion. I still believe that Sigdrífa indicates the most characteristic area of application of each group of Runes.
As for the interpretation proposed in the post, it was based precisely on the peculiarities of the application of the Runes, their most characteristic effect, since, in my opinion, it corresponds to the purpose of the “Words”.
For understanding the Runes, it is very important to have that mythologically-conditioned approach that was inherent in the ancient skalds.
“I don’t think that the skaldic poetry of the Edda is so easily distorted.”
I am also curious as to why Sigrdriwa lists the runes exactly in that order, thus violating the structure of Futhark. Perhaps this also has some meaning?