Understanding how information is laid upon the Medium opens a path to conscious engagement with the very foundations of being.
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Understanding how information is laid upon the Medium opens a path to conscious engagement with the very foundations of being.
Astaroth’s breath becomes the very atmosphere of modernity — that cold light in which everything seems visible, and precisely for that reason one feels less and less inclined to go further.
Apollo (nomos/reckoning), Dionysus (the vital continuum), and the Fairies’ flux — the krus, a living form reducible neither to discursive reason nor to the passions — constitute three self-subsistent primal principles.
The Eleusinian initiation is the attainment of an inner form that makes the soul more whole and less mortal than it once was
They change the world more like Magi, applying special volitional efforts, directing their wisdom and energy, transforming streams of forces and probabilities according to their desire.
Reality is a coordinated play of logoi (relations/laws), their eidoi (ideal mathematical forms), and the corresponding nomoi (operational codes of things).
Archons, as the “authors” of Heimarmene — the reality established in opposition — may be regarded as manifestations of the Power of Nahash.
Archons are principles of individuation, forces of differentiation in the totipotent milieu of the interspace.
The world without numerability is mere chaos and noise, yet without a continuum it is a motionless, ossified form.
Marbas blocks the desire to learn, and Eloai consolidates the habit of repeating, reducing tolerance for not knowing and for delay.
“The Battle of Liffe” is a key episode in humanity’s early paleo-history prior to the flood events.
The essence of the destructor is the distortion of guarding one’s own boundaries, carried to destructiveness both for the mind itself and for its surroundings.
A confusion has become firmly entrenched in contemporary mythology: the conflation of three peoples utterly different in energy, function, and origin, yet similar in the impression they produce on a person.