Magical rings are less adornments than tools—transformers and condensers, lenses and windows—through which the flow of energy can change both qualitatively and quantitatively.
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Using the six-pointed star as the structuring “skeleton” of a Ritual, as opposed to the hexagram’s “direct,” defensive use, requires significantly greater additional expenditure of energy
Theurgy as a distinct domain of Magic is aimed, above all, at the development of the Magus and the world, occurring interdependently and in mutual accord, and consists in the search for and activation of higher psycho‑ or macrocosmic forces that effect this transformation.
A clear understanding of the character of an incense’s influence on the operator and on the environment of the operation, as well as taking into account the planetary, elemental and other properties of incenses, is of course an important condition for the success of a magical operation, whatever its orientation.
Alongside contacts with “one’s own reflections,” the ritual activity of the Magi has always been aimed at interactions with other forms of mind.
To understand what “kind of destruction” a Magus is dealing with means either to accept that destruction as necessary (and perhaps even to facilitate it), or to oppose it.
At the heart of all magical operations lies the establishment of a connection between the object (a thing or an idea) to which the Magus’s will is applied directly and the object upon which the final effect is to be produced; therefore, the Law of Analogies underpins all approaches to Magic.
“Ministering” spirits, in their opposition, ensure the dynamic equilibrium of a system, yet they also hinder the integration of its component dualities.
By using the “adoption of divine forms” to evolve the mind, one can locate and objectify powerful ascending currents within oneself that transform the psychocosmos and accelerate its development manifold.
In order to bring about any realization, both on the macrocosmic and on the psychocosmic level, one must find, activate, attract, and bind together a number of energy flows.
Two distinctions — by source of power and by the requirements placed on the operator — give rise to a methodological difference in the branches of Graphic Magic.
All the objects, items and actions that surround the Magus perform both of the functions described — they order the environment by drawing certain energies into it, and they induce specific states in the Magus’s mind.
One must be fully clear about the specific mechanism of each carried-out realization: where it draws its energy from, how that energy is transformed and amplified, and what consequences this carries for the operator and the world.