The birth of half-bloods is a conscious or semi-conscious strategy of the fae, allowing them to survive, preserve their culture, and even strengthen its presence in the human world.
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Faerie, known in European traditions as Aes Sídhe, Tylwyth Teg, sídhe and their various races and peoples, were no less extensively described in Eastern cultures.
The fae most often manifest where natural harmony is present.
Reality constantly oscillates between the actual and the potential, moving from one period of fixation to the next.
Faerie are bearers of a highly developed art of protection against the predatory forces that govern and manipulate people.
Fire has always been perceived as a phenomenon of dual nature, uniting both the material manifestation of the principle and the expression of the primordial creative force.
One can say that reality is a “multilayered dream” in which each level is part of a higher dream.
The music of the Fairies is not merely an art; it is an instrument of power, their bond with nature, and one of the chief means by which they shape reality.
Efforts to map the interspace should be focused precisely on describing its “stable” regions and on interaction with their inhabitants.
The mind of the Fairies most closely approaches the Daoist ideals of “non-interference” — those subtle plays with energies known, for example, in aikido and similar practices.
The ultimate product of a demonic invasion is a new Demon; the ultimate outcome of Heimarmene is a blissful dreamer.
Developing the skill of recognizing anomalies is critically important for survival and successful navigation in Interworld spaces.
One of the consequences of society’s digitization and the widespread proliferation of social networks and communication channels is the transformation of the ways in which aggression and suppression manifest.