The true lord of most modern societies and social structures is the King of Wrath — Belial.
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Under the influence of Abigor, gratitude turns into dependence, respect becomes self-abasement, and continuity degenerates into copying.
Astaroth’s breath becomes the very atmosphere of modernity — that cold light in which everything seems visible, and precisely for that reason one feels less and less inclined to go further.
When the element of feelings is distorted, it is not only “emotional life” that is subjected to destruction—the very mechanism for moving toward knowledge is warped.
As soon as a person enters some “closed circle”—becomes a monk, a priest, a member of an Order, and so on—an obsessive desire arises to “hide” and “guard” the access they have gained to power, to the divine, to wisdom, to place themselves between the Higher and the lower.
Mind seized by destructive tendencies (or by a predatory vortex) often ceases to distinguish the cause of its destruction from the source of relief and meaning.
Demonization is less an act of assault on a person than an act of that person’s own blindness.
Marbas blocks the desire to learn, and Eloai consolidates the habit of repeating, reducing tolerance for not knowing and for delay.
The essence of the destructor is the distortion of guarding one’s own boundaries, carried to destructiveness both for the mind itself and for its surroundings.
The destructor of appropriation manifests on three levels of deprivation of subjecthood: appropriation, dissolution, and imposition.
Where all is reduced to mere accumulation, Typhon tightens his fetters and turns the striving for victory—or even prudence—into bondage.
The Gnostics reinterpreted the classical image of the Goddess of Witchcraft in their own way, and “Pistis Sophia” uses her name as an epithet for one of the Primary Archons.
Haborym is a widespread master of the psyche of “qualified specialists,” especially in the humanities.